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2012 art season
Historic Grounds

Giuseppe Penone

"Arbre chemin, 2012" and "Idee di pietra, 2010"

published at 27/11/2018
Idee di pietra, installation de Giuseppe Penone pour le Domaine de Chaumont-sur-Loire, 2012 © Éric Sander
“Although he walked all the way around the Park and could have gone for any other spot, it was a secret copse not far from the water tower that caught Giuseppe Penone’s eye in Chaumont-sur-Loire – a forgotten copse hidden under the bay laurels that was no longer pruned and where no one had ventured for a very long time. Intuition of where to go from here, search for trees and possible routes to take, immersion in and immediate grasp of the place, observation of stumps and moss, ivy and lichen, stones and branches… all perceptible elements of creation in movement and its mysteries – we have been made privy to such moments in his creation process: when an idea springs to mind, or when searching for tracks or for possible areas for inscribing forms or objects in nature. As if the artist was on the look-out for a forgotten secret in this undergrowth, etched on the lime or chestnut trees, which he alone has been able to decipher before leaving his own mark upon it in stone or bronze. Penone’s secret affinities with this copse and the prints that he will leave there will restore its visibility, bring back its memory and give it a future once again – a connection with the time it had lost. A tree,” says Penone, is a fluid matter that can be shaped. The main vector is time: man has a different temporality from a tree’s; in principle, if we took hold of a tree and stood firm enough so as not to move for years on end – the constant pressure exerted by our hand would change the tree. Metamorphosis awaits the secret wood of Chaumont-sur-Loire, in the form of Penone’s “pathway tree”. A piece of work is not a magic wand – it embodies magic itself.... Poetry is the revelation of something quite extraordinary.”
 
Along the pathways of the grounds, in the heart of a hidden copse, Guiseppe Penone weaves a subtle and poetic itinerary. Using small components, stone fragments and bronze sculptures, he “sows ideas, thoughts and works to come”. These surprising finds – souvenirs abandoned in the trunk of a lime tree, in a copse, or on one of the Domaine’s ‘outstanding trees’ – resemble “grafts” capable of transforming them, making the forest active, fecund, and giving it a voice. For “the forest speaks to us of the forest, but in speaking of the forest it speaks to us of humankind”.
 
"The garden begins the moment one sets foot in it and advances into its vegetable and mineral realm.
One’s steps settle in the earth, and the minute realities encountered along the way bring the memory of one’s presence.
The shrubs, pushed aside by a force which is not the wind’s, the fallen leaves, the broken twigs, the grass crumpled and trampled underfoot, the animal life, miniscule and invisible, which one’s steps have disturbed bear witness to the passage of humankind and are reminders of its journey.
The perception of all these innumerable little events, the reflection, observation and astonishment that accompany the walker on his way, eyes to the ground and thought suspended, impregnated by the sky, bring the senses into harmony…
From this moment, the memory of humankind is implanted in this place.
To carry out the systematic organisation of this memory, to provide it with structure, to wish to make a ritual of this journey, to make it repeat itself – this is what gives rise to the garden.
The garden recalls and reoffers this astonishment, these sensations provoked by the original action, the wonder of the colours, of the soil, of the sky reflected on the grass, of the shadow of branches cast on the ground, unveiling the moods of the earth and their unending flow.
When one lifts one’s eyes, the sky projects images absorbed by the earth, and earthbound thoughts rest on a horizon written in trees and shrubs by the centuries-old work of humankind.
The infinite expanse of blades of grass in a meadow, the scent of moss, the dust of branches, leaves crushed underfoot, the all-encompassing light interrupted by the boughs of trees, by the flight of birds and by insects, are the carpet on which life itself rests.
The manner in which the plant community making up the garden is organised along the way reflects the culture, society and economy which created it.
The microcosm formed around a life spent entirely in communion with a restricted space reflects the secrets, anxieties and hopes, as well as the resignation to the passage of time, or the acceptance of its passage, linked to the incessant changes of light on the ground.
The genesis of the garden resides in the mystery and order of the reality that surrounds us, in the magic of life and the astonishment which it arouses in revealing itself.
The garden’s compass must be defined in order to mark the spot and give it its own identity.
Definition leads to exclusion, but it is through exclusion that the worth of the mysterious, the sacred and the enchanted is born.
It is by means of these limits that the idea of genius loci is concentrated, assembling secret forces that enable organisation of the living. From it arise the idea and concept of the sacred wood, the natural temple.
To move through the garden is always to make an initiatory journey, to experience a revelation which accentuates once more that atavistic loss of direction felt when one advances through the undergrowth, in the forest, the sense that one has lost track of all landmarks and that attention is concentrated on this or that detail, on sudden unexpected apparitions, on sounds, bursts of light, and on shadows.
Only someone who is prepared to experience osmosis with things, with the landscape, can perceive such an initiation.
When you enter the labyrinth of gardens, it is easy to lose yourself in shapes, colours and scents, in the sounds coming from its soils and its waters; the best thing to do is never find yourself again.” Extract from Respirer l’Ombre by Giuseppe Penone.

Biographical notes

Giuseppe PENONE
ITALY
 
 
Born in Garessio, in the Italian Piedmont, in 1947, Giuseppe Penone now lives and works in Turin and Paris, where he teaches at the Ecole Nationale Supérieure des Beaux-Arts. Nourished in childhood by luxuriant nature, he has kept the profound sensitivity apparent in the exhibitions devoted to his work since 1968. Examining the bond between humankind and nature, he rapidly asserted himself as one of the leading lights of the Arte Povera movement, launched in 1967 by the critic Germano Celant. From such avant-garde palaces as the Städtische Museum in Leverkusen to such temples of contemporary art as the MOMA in New York and the Georges Pompidou Centre in Paris, Giuseppe Penone rapidly cleared a path to recognition that extends well beyond borders. Whether intimate, monumental, fragile or permanent, his work takes on unique form at the Domaine de Chaumont-sur-Loire.
 
Complete Biography

SELECTED SOLO EXHIBITIONS

2011
Giuseppe Penone: The Hidden Life Within, Art Gallery of Ontario, Toronto, Canada
 
2010
Giuseppe Penone: Drawings and Sculptures, Fondation De Pont, Tilburg, The Netherlands
Giuseppe Penone, Musée des Arts Contemporains du Grand-Hornu, Belgium
 
2009
Giuseppe Penone, Ikon Gallery, Birmingham, United Kingdom
Giuseppe Penone: Nelle mani: opera dal 1968 al 2008, Galleria Tucci Russo, Turin, Italy
Giuseppe Penone, Toyota Municipal Museum of Art, Toyota, Japan
 
2008
MAMbo / Museo d'Arte Moderna di Bologna, Bologna, Italy
Art Gallery of Ontario, Toronto, Canada
 
2007
Giardino delle Sculture Fluide, 2003 – 2007, Reggia di Venaria Reale, Turin, Italy
Giuseppe Penone: Neue Arbeiten, Konrad Fischer Gallery, Düsseldorf, Germany
 
2006
Sculptures et dessins récents, Alice Pauli Gallery, Lausanne, Switzerland
 
2004
Giuseppe Penone: Retrospective Exhibition 1968–2004. Centre Pompidou, Paris, France (travelled to: CaixaForum, Barcelona, Spain)
Giuseppe Penone: The Imprint of Drawing, The Drawing Center, New York, USA (travelled to: Milton Keynes Gallery, Central Milton Keyes, United Kingdom)
 
2003
Giuseppe Penone, Marian Goodman Gallery, Paris, France
 
2001
Giuseppe Penone, Tucci Rosso Studio per l'Arte Contemporanea, Turin, Italy
Pelle di marmo su spine d’acacia — Albero in torsione destra, Fujikawa Gallery/Next, Osaka, Japan
 
2000
Respirare l'ombra, Synagoge Stommeln, Pulheim-Stommeln, Germany
Marian Goodman Gallery, New York, USA
Giuseppe Penone: Dessins et Sculptures 1968-2000, Rennes Espace, Paris, France
Giuseppe Penone, Alice Pauli Gallery, Lausanne, Switzerland
 
1999
Guiseppe Penone, Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain
Giuseppe Penone, The Douglas Hyde Gallery, Trinity College, Dublin, Ireland
 
1998
Giuseppe Penone: The Veins of Stone, Galleria Civica d’Arte Contemporanea, Trento, Italy
Giuseppe Penone, Konrad Fischer Gallery, Düsseldorf, Germany
 
1997
De Pont Foundation for Contemporary Arts, Tilburg, The Netherlands
Giuseppe Penone: The Veins of Stone, The Toyota Municipal Museum of Art, Toyota Aichi, Japan
Pièges de Lumière, Carré d'Art, Musée d'art Contemporain, Nîmes, France
Die Adern des Steins, Kunstmuseum Bonn, Bonn, Germany
Guiseppe Penone, Museo de Arte Moderno, Buenos Aires, Argentina
Artiscope Gallery, Brussels, Belgium
 
1996
Frith Street Gallery, London, United Kingdom
Durand-Dessert Gallery, Paris, France
Paul Andriesse Gallery, Amsterdam, The Netherlands
Galleria Alfonso Artiaco, Pozzuoli, Italy
 
1995
Marian Goodman Gallery, New York, USA
 
1994
L'image du toucher, Maison de la Culture d'Amiens, Amiens, France
Centro Culturale Teresa Orsola Bussa De Rossi, Fossano, Italy
 
1993
Château d'Annecy, France
Images de Pierre, Centre Genevois de Gravure Contemporaine, Geneva, Switzerland
Drawings and Sculpture, Frith Street Gallery, London, United Kingdom
 
1992
Durand-Dessert Gallery, Paris, France
I Have Been a Tree in the Hand, Marian Goodman Gallery, New York, USA
Jule Kewenig Gallery, Freehen-Bachen, Cologne, Germany
Giussepe Penone Invita Johannes Cladders, Foro per l'Arte Contemporanea Scavi Archeologi, Verona, Italy
Le acque, I venti, le genti, gli alberi, I serpi sono vene di pietra, Réfectoire de l'Abbaye de Tournus, France
 
1991
Castello di Rivoli Museo d'Arte Contemporanea, Turin, Italy
Giuseppe Penone: L'Espace de la Main, Musée de la Ville de Strasbourg, France
Giuseppe Penone, Eglise de Courmelois, Val-de-Vesle/Reims, France
 
1990
Giuseppe Penone, Konrad Fischer Gallery, Düsseldorf, Germany
 
1988
Giuseppe Penone, Musée Rodin, Paris, France
 
1986
Giuseppe Penone, Musée des Beaux Arts, Nantes, France
 
1984
Giuseppe Penone, ARC- Musée d’Art Moderne de la Ville de Paris, France
 
1983
Giuseppe Penone, Museum of Contemporary Art, Chicago, USA
Giuseppe Penone, National Gallery of Canada, Ottawa, Canada
 
1982
Giuseppe Penone, Städtisches Museum Abteiberg, Mönchengladbach, Germany
 
1980
Giuseppe Penone, Stedelijk Museum, Amsterdam, The Netherlands
 
1978
Giuseppe Penone, Staatliche Kunsthalle, Baden-Baden, Germany
 
1977
Giuseppe Penone, Kunstmuseum, Lucerne, Switzerland
 
1973
Giuseppe Penone, Galleria Sperone-Fischer, Rome, Italy
Giuseppe Penone, Paul Maenz Gallery, Cologne, Germany
 
1972
Giuseppe Penone, Paul Maenz Gallery, Cologne, Germany
 
1970
Giuseppe Penone, Galleria Toselli, Milan, Italy
 
1969
Giuseppe Penone, Galleria Sperone, Turin, Italy

SELECTED GROUP EXHIBITIONS

2011
The World Belongs to You, Palazzo Grassi. Venice, Italy
Arte povera 1968, MAMbo / Museo d'Arte Moderna di Bologna, Bologna, Italy
Arte Povera International, Castello di Rivoli Museo d'Arte Contemporanea, Turin, Italy
Arte Povera 1967-2011, La Triennale di Milano. Design Museum, Milan, Italy
Architecture Dessins Utopies, MNAC / National Museum of Contemporary Art, Bucharest, Romania
Arte Povera alla Galleria Nazionale d’Arte Moderna, Galleria Nazionale d’Arte Moderna, Rome, Italy
Arte Povera al MAXXI, MAXXI – Museo Nazionale delle Arti del XXI Secolo, Rome, Italy
Arte Povera + Azioni Povere 1968, MADRE / Museo d’Arte Contemporanea Donna Regina, Naples, Italy
Arte Povera International, Castello di Rivoli Museo d'Arte Contemporanea, Turin, Italy
Silent Echoes: Collection Exhibition I, 21st Century Museum of Contemporary Art-Kanazawa, Kanazawa, Japan
Kosmos Rudolf Steiner, Kunstmuseum Stuttgart, Stuttgart, Germany
Gran Torino: Italian Contemporary Art, Frost Art Museum, Miami, USA
Che Fare? Arte Povera. Die historischen Jahre, Lentos Kunstmuseum Linz, Linz, Austria; Kunstmuseum Liechtenstein, Vaduz, Liechtenstein
Arte Povera in Moscow: works from the Collection of the Castello di Rivoli, Multimedia Art Museum, Moscow, Russia
Tra: Edge of becoming, Museo Fortuny, Venice, Italy
 
2010
Essential Experiences, Palazzo Riso, Museo d’Arte Contemporanea della Sicilia, Sicilia, Italy
Rudolf Steiner and Contemporary Art, Kunstmuseum Wolfsburg, Wolfsburg, Germany
I Believe in Miracles - 10th anniversary of the Lambert Collection, Collection Lambert, Avignon, France
On Line: Drawing Through the Twentieth Century, Museum of Modern Art, New York, USA
Die Natur der Kunst: Begegnungen mit der Natur vom 19. Jahrhundert bis in die Gegenwart, Kunstmuseum Winterthur, Winterthur, Switzerland
Noir ou blanc, FRAC Picardie, Amiens, France
Libro/Oggetto: Italian Artists` Books, 1960s-Now, Santa Monica Museum of Art, Santa Monica, USA
 
2009
Origins, Hudson Valley Center for Contemporary Art, Peekskill, USA
Italics: Arte italiana fra tradizione e rivoluzione 1968–2008, Palazzo Grassi, Venice, Italy
The Russian Linesman, The Hayward Gallery, London, United Kingdom
Leeds, England, Glynn Vivian Art Gallery, Swansea, United Kingdom
Hot Spots: Rio de Janeiro / Milano - Torino / Los Angeles, Kunsthaus Zürich, Zurich, Switzerland
COSTANTI del classico nell'arte del XX e XXI secolo, Fondazione Puglisi Cosentino, Palazzo Valle, Catania, Italy
Spazio Libro d’Artista, Palazzo Manganelli, Catania, Italy
A mancha humana / the human stain, CGAC / Centro Galego de Arte Contemporánea (CGAC), Santiago de Compostela, Spain
1968: The Great Innocents, Kunsthalle Bielefeld, Bielefeld, Germany
Ecritures Silencieuses (Silent Writings), Espace Louis Vuitton, Paris, France
L’avventura, esplorazioni artistiche nel cuore del mediterraneo, Albergo delle povere e Castello della Cuba, Palerme, Italy
Cella. Strutture di emarginazione e disciplinamento, Complesso Monumentale di San Michele a Ripa Grande, Roma, Ex Carcere Minorile, Rome, Italy
 
2008
Sydney Biennial, Sydney, Australia
ORIGINS, Hudson Valley Center for Contemporary Art, Peekskill, USA
 
2007
52nd Venice Biennial, Italian Pavilion, Italy
Drawing Connections: Baselitz, Kelly, Penone, Rockburne, and the Old Masters, The Morgan Library and Museum, New York, USA
 
2006
Resonance, Frith Street Gallery, London, United Kingdom
La Force de l’art, Grand Palais, Paris, France
Where Are We Going, François Pinault collection, Pallazo Grassi, Venice, Italy
 
2005
Jardin des Plantes, FRAC Picardie / Galeries des Lycées, Péronne, France
Some Trees, Neuer Aachener Kunstverein, Aachen, Germany
 
2004
Reflecting the Mirror, Marian Goodman Gallery, New York, USA
 
2003 -2004
The State of Drawing: Gesture and Act. Selected from the Tate Collection, Tate Liverpool, Liverpool, United Kingdom
Village Global, Musée des Beaux Arts, Montréal, Canada
The Last Picture Show: Artists Using Photography, 1960-1982, Walker Art Center, Minneapolis, USA
Skin Deep, MART Rovereto, Trento, Italy
 
2003
The State of Drawing: Gesture and Act. Selected from the Tate Collection, Tate Liverpool, Liverpool, United Kingdom
The Last Picture Show: Artists Using Photography, 1960-1982, Walker Art Center, Minneapolis, USA
Dessins de la Collection Paul Maenz, FRAC Picardie, Amiens, France
 
2002
Arte Povera from the Castello di Rivoli Collection, Museum of Contemporary Art, Sydney, Australia
Menschen Spuren, Neanderthal Museum, Mettmann, Germany
De Gustibus Collection, Palazzo delle Papesse, Centro Arte Contemporanea, Siena, Italy
La Senduzione della Materia, Spazio Oberdan, Milan, Italy
Comer o no Comer (To Eat or Not to Eat), Salamanca 2002, Centro de Arte Salamanca, Spain
 
2003
La Poetica Dell'Arte Povera, Magdeburger Museum, Magdeburg, Germany
Jardin des Plantes, FRAC Picardie / Espace St. Jacques, Saint Quentin, France
A Sculpture Show, Marian Goodman Gallery, New York, USA
 
2001
Zero to Infinity: Arte Povera 1962-1971, Tate Gallery of Modern Art, London, United Kingdom; Walker Art Center, Minneapolis, USA; The Museum of Contemporary Art, Los Angeles, USA, Hirshhorn Museum and Sculpture Garden, Washington, USA
Dialogue Ininterromptu, Musée des Beaux-Arts, Nantes, France
 
2000
Dialogue Ininterrompu, Musée des Beaux-Arts de Nantes, Nantes, France
Zero to Infinity: Arte Povera 1962-1971, Tate Gallery of Modern Art, London, United Kingdom; Walker Art Center, Minneapolis, USA; The Museum of Contemporary Art, Los Angeles, USA; Hirshhorn Museum and Sculpture Garden, Washington D.C., USA
Beauté in Fabula, Palais des Papes, Avignon, France
Teatro Botanico, La natura nell arte del XX secolo, Museo Civico Castello Ursino, Catania, Italy
Le Temps Vite, Musée National d’Art Moderne-Centre Georges Pompidou, Paris, France; Palais des Expositions, Rome, Italy; Centre de Cultura Contemporania, Barcelona, Spain
Le Temps Vite, Centre Pompidou, Paris, France
Centre de Cultura Contemporania de Barcelona, Barcelona, Spain
Kwangju Biennial, South Korea
Out of the Wood, Sala Congressi, Casole d’Elsa, Italy; Associazione Holy Wood, Ponsano, Italy
L'Œil écoute, Carte blanche à Alain Kirili. Duc des Lombards, Paris, France
Sembianti della scultura, Palazzo Stella, Bologne, Italie
Enclosed and Enchanted, Museum of Modern Art, Oxford, United Kingdom
 
2000-1997
Arte Povera. Arbeiten und Dokumente aus der Sammlung Goetz 1967 bis heute, Neues Museum Weserburg, Bremen, Germany; Kunsthalle, Nuremberg, Germany; Kölnischer Kunstverein, Cologne, Germany; Museum moderner Kunst Stiftung Ludwig, Vienna, Austria; Konsthallen, Gothenburg, Sweden; Sammlung Goetz, Munich, Germany
 
1999
Woods, Galleria Monica de Cardenas, Milan, Italy
Silent Friendship: 1960-901s Artists, Toyota Municipal Museum of Art, Toyota Aichi, Japan
Die Sammlung Paul Maenz, Neues Museum Weimar, Weimar, Germany
A dess(e)ins, Galerie de l’Ancien Collège, Ville de Châtellerault, France
Paysages d’artistes, Fondation Daniel et Florence Guerlain, Les Mesnuls, France
Forêt de Bord/Le Lien. La nature instrumentalisé, Musée de Louviers, Louviers, France
A Summer Show, Marian Goodman Gallery, New York, USA
Les Champs de la sculpture 2000, Champs Elysées, Paris, France
 
1998
Breaking Ground, Marian Goodman Gallery, New York, USA
Arte Città, Galleria Civica d'Arte Moderna e Contemporanea, Turin, Italy
Propagazione, Paul Andriesse Gallery, Amsterdam, The Netherlands
Etre Nature, Fondation Cartier, Paris, France
Arte Italiana 1945-1995, Il visible e l’invisible, Aichi Prefectural Museum of Art, Aichi, Japan; Museum of Contemporary Art, Tokyo, Japan; Yonago City Museum of Art, Tottori, Japan; Museum of Contemporary Art, Hiroshima, Japan; Taipei Fine Arts Museum, Taipei, Taiwan
Être Nature, Fondation Cartier, Paris, France
Gravure, vous avez dit gravure, Musée Jurassien des Arts, Moutier, Switzerland
 
1997
Gravures et Multiples. Centre Genevois de Gravure Contemporaine, Geneva, Switzerland
L'Empreinte, Centre Pompidou, Paris, France
Giuseppe Penone, NICAF Tokio 1997, Tokoro Gallery, Tokyo, Japan
Nature Vivante, Marian Goodman Gallery, Paris, France
A Summer Show, Marian Goodman Gallery, New York, USA
Arte Povera e dintorni, Galleria Civica, Cortina d’Ampezzo, Italy
Controfigura, Palazzo Pretorio, Peccioli, Italy
Alpenblick, Kunsthalle Wien, Vienna, Austria
Images du Corps, Maison de la Culture, Namur, Belgium
20/20, Marian Goodman Gallery, New York, USA
Multiples, École des Beaux-Arts, Metz, France
Arte Povera: Arbeiten und Dokumente aus der Sammlung Goetz 1958 bis heute, Neues Museum Weserburg Bremen, Bremen, Germany; Kunsthalle Nürnberg, Nuremberg, Germany; Kölnisher Kunstverein, Cologne, Allemagne; 20er Haus, Museum Moderner Kunst Stiftung Ludwing, Vienna, Austria
 
1996
Le Superfiel Infinibili el Paradigmi Ritrovati, Associazione Culturale Promere (Marco Fattori e Carlo Dani), Florence, Italy
Imagined Communities / National Touring Exhibitions (Hayward Gallery), Oldham Art Gallery, The Minories, Colchester, United Kingdom; John Hansard Gallery, Southampton, United Kingdom; Walsall Museum and Art Gallery, Walsall, United Kingdom; Royal Festival Hall, Hayward Gallery, South Bank Centre, London, United Kingdom
Collezionismo a Torino, Castello di Rivoli Museo d'Arte Contemporanea, Turin, Italy
Des Formes de la Nature, Maison de la culture, Namur, Belgium
Il luogo e la memoria, la fotografia metafora di un’esperienza, Besozzo, Varese, Italie
Recaptured Nature, Marian Goodman Gallery, New York, USA
L’Art au Corps, Galeries contemporaines des Musées de Marseille, Marseille, France
Vetrophanie, Palazzo Ducale, Colorno Parme, Italy
New Persona/New Universe, Stazione Leopolda, Biennale de Florence, Italy
Dessins en séries, Maison de la culture d’Amiens, Fonds Régional d’Art Contemporain Picardie, Amiens, France
Le stanze delle Meraviglie, Palazzo Cuttica, Alessandria, Italy
A Group Show, Marian Goodman Gallery, New York, USA
Arte Povera: Les multiples, Musée d’Art Moderne et d’Art Contemporain, Nice, France
 
1995
Natures Contemporaines, Œuvres de Fonds Régional d’Art Contemporain Picardie, Centre d’animation culturelle de Compiègne et du Valois, Compiègne, France; Musée Abbaye Saint-Léger, Soissons, France
Collections Contemporaines, Musée National d’Art Moderne-Centre Georges Pompidou, Paris, France
46th Venice Biennale, Italy
Bibliothèque Municipale de Lyon la Part-Dieu (Éditions du Centre Genevois de Gravure Contemporaine), Lyon, France
Archivio Documentale di Arte Contemporanea Internazionale, Palazzo Comunale, Collazzone, Perugia, Italy
Féminin-Masculin: Le sexe de l’art, Musée National d’Art Moderne-Centre Georges Pompidou, Paris, France
Time Machine, Antico e Arte Contemporana, Museo Egizio, Turin, Italy
Wild at Heart (works made for the Henry Moore Sculpture Trust), Tramway, Glasgow, United Kingdom
Referanser, Museet for Samtidkunst, Oslo, Norway; Lillehammer Kunstmuseum, Lillehammer, Norway; Bergen Kunstforening, Bergen, Norway
 
1994
Prospekt / Retrospekt, Kunstmuseum Luzern, Lucerne, Switzerland
The Italian Metamorphosis, Solomon R. Guggenheim Museum, New York, USA
Zeitgenossiche Kunst aus Frankfurter Banken, Jahrhunderthalle Hoechst, Frankfurt, Germany
Je vous ai tant aimés, CAPC Musée d'Art Contemporain de Bordeaux, Bordeaux, France
L'Orizzonte, capolavari dello Stedelijk Museum di Amsterdam, Amsterdam, The Netherlands
 
1993
Gravity & Grace: The changing condition of sculpture 1965-1975, The Hayward Gallery, London, United Kingdom
Un'avventura internazionale, Torino e le Arti 1950-1970. Castello di Rivoli Museo d'Arte Contemporanea, Turin, Italy
Noir Dessin, Centre Pompidou, Paris, France
 
1992
Pour la suite du monde, Musée d'Art Contemporain, Montreal, Canada
Regard Multiple, Centre Pompidou, Paris, France
Natural Order, Tate Gallery, Liverpool, United Kingdom
Les collections du FRAC Pays de la Loire, Musée des Beaux-Arts, Nantes, France
 
1991
A Group Show, Marian Goodman Gallery, New York, USA
This Land..., Marian Goodman Gallery, New York, USA
La sculpture contemporaine après 1970, Fondation Daniel Templon, Musée Temporaire, Capitou, France
Arte Povera 1971 und 20 Jahre danach, Kunstverein, Munich, Germany
Architettura e urbanistica a Torino 1945-1990, Lingotto, Turin, Italy
Intersezioni: Arte italiana negli anni Settanta-Ottanta, Expositions Palace, Budapest, Hungary
Idee di pietra, installation de Giuseppe Penone pour le Domaine de Chaumont-sur-Loire, 2012 © Éric Sander
Arbre-chemin, installation de Giuseppe Penone pour le Domaine de Chaumont-sur-Loire, 2012 - © Éric Sander
"Arbre chemin, 2012", installation de Giuseppe Penone au Domaine de Chaumont-sur-Loire - © Éric Sander
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The Domain of Chaumont-sur-Loire

Aquired by the Centre-Val de Loire Region in 2007, The Domain of Chaumont-sur-Loire has become an unmissable site within the spheres of art and gardens. The triple identity of the Domaine : Heritage, art and gardens make for a unique visit within the circuit of the Loire Valley castles

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Regional Domain of Chaumont-sur-Loire
41150 Chaumont-sur-Loire
Tel :+33 (0) 2 54 20 99 22
Fax :+33 (0) 2 54 20 99 24

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